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The Music of Eastertide Explained
March 30, 2016
Easter is not over, because Easter is not a one-day celebration but rather a festival, a seven-week period known as Eastertide. Julian Wachner...
Bach at One
March 23, 2016
In the spring of 2016, Trinity’s ever-popular Bach at One series (Wednesdays at 1pm in St. Paul’s Chapel), will complete the presentation of Bach’s entire monumental output of sacred vocal music.
This week:
J. S. Bach – Allein Gott in der Höh' sei Her, BWV 662
BWV 149 – Man singet mit Freuden vom Sieg
BWV 146 – Wir müssen durch viel Trübsal in das Reich Gottes eingehen
Trinity Baroque Orchestra and The Choir of Trinity Wall Street; Julian Wachner, conductor
Downtown Voices Concert
March 20, 2016
Share an afternoon of musical serenity and reflection with Downtown Voices, Lower Manhattan’s semiprofessional chorus, as they perform two contemplative and ultimately uplifting selections. The New York Times noted the “incisive, agile strength” of Downtown Voices in their debut performance in December 2015.
Revolutionaries: The late works of Beethoven & Ginastera
March 17, 2016
This week: NOVUS NY and The Choir of Trinity Wall Street featuring Mellissa Hughes and Jacquelyn Stucker, soprano, Melissa Attebury, alto, Vale Rideout, tenor, and Joseph Beutel, bass. Julian Wachner, conductor.
Bach at One
March 16, 2016
In the spring of 2016, Trinity’s ever-popular Bach at One series (Wednesdays at 1pm in St. Paul’s Chapel), will complete the presentation of Bach’s entire monumental output of sacred vocal music.
This week:
J. S. Bach – Jesus Christus unser Heiland, BWV 665
BWV 136 – Erforsche mich, Gott, und erfahre mein Herz
BWV 175 – Er rufet seinen Schafen mit Namen
BWV 183 – Sie werden euch in den Bann tun
Trinity Baroque Orchestra and The Choir of Trinity Wall Street; Julian Wachner, conductor
Apollo’s Fire: St. John Passion
March 12, 2016
Apollo's Fire performs J.S. Bach's St. John Passion
From its roiling opening chorus to its compelling conclusion, J.S. Bach’s acclaimed St. John Passion, BWV 244, chronicles the final days of Jesus.
Revolutionaries: The late works of Beethoven & Ginastera
March 10, 2016
This week: Described by The New York Times as a cellist who performs "with unforced simplicity and beauty of tone," Jeffrey Zeigler is joined by pianist Pedja Muzijevic in this performance including works by Ginastera, Beethoven, and Richard Wilson.
Bach at One
March 9, 2016
In the spring of 2016, Trinity’s ever-popular Bach at One series (Wednesdays at 1pm in St. Paul’s Chapel), will complete the presentation of Bach’s entire monumental output of sacred vocal music.
This week:
Johannes Brahms – Intermezzo in E Major, op. 116, no. 4
BWV 124 – Meinen Jesum laß ich nicht
BWV 167 – Ihr Menschen, rühmet Gottes Liebe
BWV 168 – Tue Rechnung! Donnerwort
Trinity Baroque Orchestra and The Choir of Trinity Wall Street; Avi Stein, conductor
Revolutionaries: The late works of Beethoven & Ginastera
March 3, 2016
This week: Chamber Orchestra Kremlin
"Russia is popularly known for two things - its rockets and its violins. The Chamber Orchestra Kremlin is renowned for the latter, but their music will take you soaring as if somehow there is a connection to the former." —Andresen Dagbladet
St. Matthew Passion
March 3, 2016
J.S. Bach's St. Matthew Passion is revered as one of the quintessential masterpieces of western classical music. Originally premiered on Good Friday in 1727, The Passion According to St. Matthew, BWV 244, is a dramatic integration of scripture, new poetry, and great hymns of the Lutheran tradition. Bach's sublime setting creates a portrayal of the Passion that is both profoundly human and divine.