Sandbox Percussion four square of musicians at home playing extremes.

Comfort at One

With musical performances returning to Trinity Church Wall Street in-person as of March 2022, Comfort at One, one of Trinity's pandemic online musical offerings, has been retired. We hope these performances helped you find a daily haven of peace and comfort during trying times.

To watch archived Comfort at One performances, browse the list below or visit our music video portal for even more concerts.


All Past Performances

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Comfort at One: Amplify Female Composers

October 27, 2021

Comfort at One presents our second installment with Amplify Female Composers, a new platform Carolyn Craig and Janet Yieh. In today’s video, The Choir of Trinity Wall Street performs selections from “A Great Host of Composers” database: Stephanie Martin’s Ave Verum Corpus, Melissa Dunphy’s If thou wilt be perfect, Eleanor Daley’s Come, Renew us, Undine Smith Moore’s I Will Trust in the Lord, and Elaine Hagenberg’s When We Love.

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Comfort at One: Bach's Wie schön leuchtet der Morgenstern, BWV 1

October 25, 2021

Comfort at One continues presenting Bach at One on Mondays, this week with a cantata that focuses on Mary, mother of Jesus: Wie schön leuchtet der Morgenstern, BWV 1, paired with Herr Gott, dich loben wir, BWV 16. This concert features soloists Sarah Brailey, Melissa Attebury, Owen McIntosh, and Jonathan Woody from The Choir of Trinity Wall Street, accompanied by the expert musicians of Trinity Baroque Orchestra.

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Comfort at One: Haec dies by William Byrd

October 20, 2021

Comfort at One continues our Wednesday series of Choral Meditations, recorded this past summer by The Choir of Trinity Wall Street. Today's performance features Haec dies by William Byrd; A Hymn to the Virgin by Benjamin Britten; and Herbert Howells’ Like as the hart desireth the waterbrooks and A Hymn for St. Cecilia.

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Comfort at One: Flutist Allison Loggins

October 19, 2021

Today’s Comfort at One features brilliant composer and flutist Allison Loggins in a stunning performance from Trinity this summer that featured The Scolds by Amanda Feery, Freihme by inti figgis-vizueta, and Loggins’ profound composition Homeland.

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Comfort at One: Handel's Apollo and Daphne

October 18, 2021

Today’s Comfort at One features a mini-opera, Apollo and Daphne, by Bach’s great contemporary—Handel. This performance is from Trinity’s 2016 4x4 Baroque Music Festival, which brought together some of New York’s best baroque music specialists under the artistic direction of Trinity's Avi Stein.

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Comfort at One: Choral Meditations: Duruflé and More

October 13, 2021

This week’s installment of Choral Meditations for Comfort at One is conducted by Trinity’s Director of Music Julian Wachner and Associate Organist Janet Yieh and includes works by Duruflé, Dawson, Sowerby, Wood, and Tippett. Each Wednesday, Comfort at One features The Choir of Trinity Wall Street's newly recorded choral works.

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Comfort at One: Source Code and Swing Low Sweet Chariot

October 12, 2021

In July, NOVUS NY gave its first live chamber music performance in over a year for Trinity’s 11:15am Sunday worship service. During the prelude, members of the NOVUS NY string quartet performed Jessie Montgomery’s Source Code alongside Florence Price’s arrangement of Swing Low Sweet Chariot. Enjoy this musical collage as we appreciate the impact of American spirituals on music history and into the present day.

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Comfort at One: Liszt’s Fantasy and Fugue on BACH 

October 11, 2021

Today’s Comfort at One is from the spring of 2016 and opens with Trinity's Avi Stein performing Liszt’s Fantasy and Fugue on BACH, followed by The Choir of Trinity Wall Street with the Trinity Baroque Orchestra performing Ihr, die ihr euch von Christo nennet, BWV 164 and Wo Gott der Herr nicht bei uns hält,BWV 178.

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Comfort at One: O Sacred Head

October 6, 2021

Comfort at One continues our Wednesday series of Choral Meditations, recorded this past summer by The Choir of Trinity Wall Street. Today's performance features O Sacred Head by David Hurd in addition to works by Elliott Schenck, Ralph Vaughan Williams, Walford Davies, and William Byrd.